Past Events 2017-2018
2017-2018 Lectures
Faculty | Department or Field | Title of Talk |
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Popular Culture and Protest in the Middle East This multi-media talk focuses on the important role played by popular culture in motivating political protest in the Middle East. Drawing on her first hand experience during the Egyptian uprising in 2011, Professor Winegar will show how young revolutionaries used music, chants, poetry, and graffiti to articulate their political demands, gain supporters, and ultimately succeed in overthrowing a dictator. The talk will also reflect on the fate of the 2011 uprising through the lens of popular culture to shed light on current political struggles in the Middle East and beyond. |
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Captive Minds: The Necessity of Education behind Bars For the past two years, Prof. Lackey has been teaching college courses at Stateville Correctional Center, a maximum-security men’s prison in a suburb of Chicago. All of her students have been convicted of at least one murder and nearly all of them are serving very lengthy sentences, yet they are among the most engaged and thoughtful students she has taught. Drawing on this experience, along with research on the benefits of prison education, Prof. Lackey will show why education, especially at the postsecondary level, should be provided in all prisons. |
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Earth's deep water cycle: are the oceans just the tip of the iceberg? |
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BursarTakeover@50: Reflections on the role of the University in the Black Freedom Struggle 2018 marks the 50th anniversary of the May 1968 Black student occupation of the bursar's office at Northwestern. The protest ushered in a wave of reforms but not all of the students' demands were realized. How far have we come since 1968 and what challenges define our own time? Co-sponsored by Lunch will be provided |
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English/Gender & Sexuality Studies |
Today We're Gonna Study Like It's 1999 Recently, I have departed from the traditional film-per-decade way of teaching the history of film and opted instead for entire seminars devoted to 12-15 movies that all premiered in the same year, highlighting the overlaps but also the conflicts and paradoxes that characterize any individual moment in history. Last quarter, I taught fifteen freshmen, all born in 1999, a class about the unusually innovative and diverse set of films produced by Hollywood and by filmmakers around the world on the eve of the millennium. This teaching experiment has morphed into a research project on some distinctive themes and film-industry changes that emerge in the movies of 1999. The book also examines the value of structuring syllabi this way and teaching students about the exact moment at which they entered the world—a cultural moment recent enough to remain accessible, but distant enough to startle them (and me) with how much has already changed. |